An unproductive day new writing-wise, so you get a retro review from June 12, 2009.
Review: The Fantasy Hall of Fame, eds. Robert Silverberg and Martin H. Greenberg, 1983.
The reputations of some of these stories and that of their authors may have waned in the 26 years since this anthology was published. None of the stories are bad though a few aren’t that special. The stories were selected in a manner similar to the Silverberg edited The Science Fiction Hall of Fame, Volume One. Attendees of the World Fantasy Convention chose stories to honor that were published before the convention begin doing their annual awards.
The stories are arranged chronologically, and the first is Edgar Poe’s “The Masque of the Red Death” (1842). This classic tale of a plague, mysterious colors, and death coming to a cloister of aristocrats is the grandfather of all those far future tales of decadents on a dying Earth. Poe influenced the prose and poems of Clark Ashton Smith, but the influence isn’t very evident in the latter’s “The Weird of Avoosl Withoqquan” (1932). It’s a story of an avaricious man who hears an ominous prophecy from a beggar he snubs. Smith’s Zothique series, very definitely a series of far future decadence, is not represented here directly, but it’s certainly echoed in Jack Vance’s “Mazirian the Magician” (1950), part of Vance’s Dying Earth series. In a story full of Vance’s exuberant palette of colors and exquisitely named magic, a sorcerer determines to possess a woman who has avoided him.
Of course, Poe was not just an inspiration but an idol to Smith’s friend, H. P. Lovecraft. He is represented here by “The Silver Key” (1937). It’s an odd choice, perhaps dictated by its length. There is nothing wrong with the story. Featuring Lovecraft’s alter ego Randolph Carter, it’s Lovecraft’s most autobiographical work. Carter, a man in his thirties, goes on a quest to find his way back to the world of dreams – and its innocence – that he knew as a child. There are many better Lovecraft stories though. Lord Dunsany was an influence on Lovecraft’s dream tales, and he’s represented here by “The Sword of Welleran” (1908). A wry tale of a city no longer defended by its legends and full of humor and despair and perverse emotion. Dunsany’s oddly syntaxed voice is probably still unique in fantasy. A lesser influence on Lovecraft was Ambrose Bierce. He shows up here with “An Inhabitant of Carcosa” (1886), a short, eerie tale of life after death in a far future land. Continue reading