The Mind Parasites

The Lovecraft series continues with a novel and more ruminations on Lovecraft. I should add that, while the Amazon link takes you to the edition I read, Wilson scholar Gary Lachman, whose blog you’ll find on the lists of blogs I follow, wrote an introduction to a new edition.

Raw Feed (2005): The Mind Parasite, Colin Wilson, 1967.Mind Parasites

In his preface, Wilson recounts his history with H. P. Lovecraft.

His first encounter was entirely provoked by the similar title of a Lovecraft collection, The Outsider and Others with his own first work, the non-fiction The Outsider. Wilson initially found Lovecraft a sick, pessimistic recluse who weakly turned away from the world he was alienated from, taking vengeance on it in “gloomy fantasy”.

While he doesn’t come right out and say it, this seems to back up S. T. Joshi’s contention that Wilson found Lovecraft a pessimistic (Lovecraft would have said indifferent) materialist to be the polar opposite in temperament to Wilson and reacted accordingly. Wilson proceeded to put forth this view in his The Strength to Dream “in which Lovecraft figures largely.”

Later, Wilson came to see Lovecraft as one of those rare, obsessed outsiders doomed by circumstances of economics, not able to give free reign to his powers unlike more famous outsiders like Shelley, Keats, and Byron. He speculates that a financially independent Lovecraft would have given free rein to his curiosity and produced less horror and more fantasy like “The Shadow Out of Time” or “The Call of Cthulhu”. A richer Lovecraft would have had more time and energy, probably would have produced more fiction, and, if it was well received by those he respected, he would have continued to write it. Continue reading

“Deaf, Dumb, and Blind”

The Lovecraft series continues with another secondary revision.

 

Raw Feed (2005): “Deaf, Dumb, and Blind”, C. M. Eddy, Jr. [and H. P. Lovecraft], 1924?.hm

This has the flavor, with its plot of its wounded protagonist — deaf, dumb, and blind — sensing some hideous presence, of an unfinished story since the horror his furious typing relates is inchoate.

 

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“The Loved Dead”

The Lovecraft series continues with another secondary revision.

S. T. Joshi’s H. P. Lovecraft: A Life (yes, I will be doing a blog post on it eventually) relates some interesting details about this.

Eddy wrote the first draft, and Lovecraft the second draft ending the story with, in Joshi’s words, “perfervid free-association”.

Lovecraft was “thoroughly delighted” with this story so much that Muriel Eddy, C. M.’s wife, said he came to their house and read it aloud. Joshi suggests Lovecraft’s lurid prose was a conscious parody.

The story gained some infamy with rumors (though Joshi’s book says he found no evidence) that the May-June-July 1924 issue of Weird Tales, where it appeared, was banned in some locations. About a decade later, a Lovecraft cryptically mentions that he had the experience of seeing a magazine with one of his client’s works being banned by the police. In fact, Lovecraft said he went to a police station “several times” about the matter.

Joshi states the story may have gotten banned in some Indiana locations.

Raw Feed (2005): “The Loved Dead”, C. M. Eddy, Jr. [and H. P. Lovecraft], 1923.hm

This 1923 story is actually a rather creepy character study in to the mind of its narrator who finds himself increasingly obsessed with the dead and energized by being around them and their funeral rites. His stints as an undertaker aren’t the only unsavory thing about him. 

Eddy and Lovecraft all but write the word “necrophilia” with

… to find me stretched out upon a cold slab deep in ghoulish slumber, my arms wrapped about the stark, stiff, naked body of a foetid corpse!  He roused me from my salacious dreams …  

The narrator eventually turns to murder to satisfy his obsession. 

An effective story that has echoes of Lovecraft’s own “The Outsider” in its alienation and “Pickman’s Model” in its ghoul obsession.

 

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“The Ghost-Eater”

The Lovecraft series continues with another secondary revision.

Raw Feed (2005): “The Ghost-Eater”, C. M. Eddy, Jr. [and H. P. Lovecraft], 1923.hm

A horror story using the old plot about the protagonist staying in a mysterious house at night where he sees mysterious things — not just a werewolf but a ghostly werewolf who recreates his attack on the house’s previous owner — only to discover in the morning, from the locals, that the house hasn’t existed in years.

Nothing surprising here.

 

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“Ashes”

The Lovecraft series continues with another secondary revision.

C. M. Eddy, Jr., like Lovecraft, lived in Providence, Rhode Island, and I’ve talked a bit about him before.

Raw Feed (2005): “Ashes”, C. M. Eddy, Jr. [and H. P. Lovecraft], 1923.hm

With this story, it’s pretty obvious we’re in the “secondary revisions” section of the collection.

This story is very un-Lovecraftian in its 1920s’ slang and story of a man, working for a mad scientist, worried that said scientist has killed the game girl (She’s great in chemistry as well as beautiful!) with his superacid.

The biter-bitten plot has the scientist — whose malevolent motivations are unexplained — disolved in his own acid and the implications of his invention utterly unexplored.

As Joshi’s textual notes state, Lovecraft’s hand in this tale was very light. Eddy was a writer of many pulp stories solo.

 

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The Gentleman from Angell Street

I’ll put up this retro review from March 3, 2006 even though, as I make clear, it’s of limited interest.

Review: The Gentleman from Angell Street: Memories of H. P. Lovecraft, Muriel E. Eddy and C. M. Eddy, Jr, 2001.Gentleman from Angell Street

How much you’ll get out of this book depends on whether you’ve read S. T. Joshi’s Lovecraft: A Life. If you have read it, then you will find little new in this book since Joshi mined most of it. The memorial poems are nothing distinguished, and the brief recollections of the Eddys’ daughter, Ruth, add little. Like Joshi, I’m suspicious of Muriel’s statements about her early acquaintance with the Lovecraft family before actually meeting HPL.

However, the book is a treat if you haven’t read Joshi’s biography. The Eddys were some of Lovecraft’s few friends in Providence, and C.M. even collaborated with Lovecraft on the necrophilic tale “The Loved Dead” as well as some other, less notable, tales of Eddy’s. The Lovecraft that comes through here is a warm, generous man with a sweet tooth and a love of cats, a gifted reader of his own work, haunter of Providence and its surrounding swamps. Muriel’s romantic notions of a match between the divorced Lovecraft and his ghostwriting client Hazel Heald bring a smile.

As thin as the book is, it suffers from repeated anecdotes and facts because it is a collection of reminisces and not a single essay.

It does include photos of its authors, Lovecraft’s wife and his parents, and a surprisingly pudgy Lovecraft from his doomed sojourn in New York City.

 

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