Walking the Night Land: The Starcombers

Our next stop in the Night Land.

Essay: The Starcombers, Edmond Hamilton and The Year When Stardust Fell, by Raymond F. Jones, 2012.

Starcombers
Covers by James Heugh and Ed Emshwiller

I would never have known that Edmond Hamilton wrote something possibly influenced by William Hope Hodgson’s The Night Land if Andy W. Robertson hadn’t mentioned this novel at his Night Lands website. (Robertson even quotes Hamilton on Hodgson.) I would have guessed, if any pulp writer paid homage to Hodgson’s creation, it would have been, judging by the title alone, Henry Kuttner and C. L. Moore’s Earth’s Last Citadel – except I’ve read that novel and the only thing Hodgsonian is the title.

Hamilton is in his gritty mode in this 1956 story. His characters are tough and treacherous, his spaceships lived in.

Like his “What’s It Like Out There?”, it initially questions the value of humans being in space.

The titular starcombers are scavengers with four spaceships. They have their families with them. Harry Axe (which is a good name for a raider and scavenger) is on his second wife, Lucy. She comes on to men, including protagonist Sam Fletcher, out of what seems to be vain need to have her physical attractions validated. She manages to seem almost naked even in a spaceman’s coverall. Continue reading

Tin Stars

Sloth, indolence, sickness, and working on another review for Innsmouth Free Press mean you get another retro review.

It’s a robot book and a August 26, 2000 retro review.

Review: Tin Stars: Isaac Asimov’s Wonderful World of Science Fiction #5, eds. Isaac Asimov, Martin H. Greenberg, and Charles Waugh, 1986.

“Robots in Judgment” was editor Asimov’s preferred title for this anthology since the stories cover more ground than just robot detectives.Tin Stars

Oh, there are robot detectives here all right. Asimov’s famous human and robot detective team of Lije Baley and R. Daneel Olivaw are here for their only short story appearance, “Mirror Image.” The murderous mobile law enforcer of Ron Goulart’s “Into the Shop” captures the same criminal — again and again. A robotic Sherlock Holmes, his Cockney-rhyming robot dog, and a Watson of mysterious origins investigate the case of a possibly mad industrialist on a future greenhouse Earth in Edward Wellen’s “Voiceover”.

Wellen also gives us an interesting, proto-cyberpunk story, “Finger of Fate”, with its hard-boiled, if immobile, computer who prowls databases and public records to solve his cases. The machines of Harry Harrison’s “Arm of the Law” and Harlan Ellison’s and Ben Bova’s “Brillo” are not exactly detectives but robot cops, and each must deal with police corruption and the difference between theoretical law enforcement and carrying a badge in the real world of humans. “Brillo” also deals with blue collar fears of being replaced by machines. The tin stars of Larry Niven’s famous “Cloak of Anarchy” supervise a Free Park where anything except physical violence goes — until an artist decides to put his political ideas into effect and disable them. Stephen R. Donaldson’s “Animal Lover” is a cyborg federal cop sent to investigate a hunting preserve with an oddly high body count of hunters. Continue reading

Forgotten Science Fiction: Goslings by J. D. Beresford

James W. Harris over at his Auxiliary Memory blog (see below) started an interesting discussion on post-apocalyptic novels, a favorite subject of mine, so I’m doing something different and reblogging his post and adding a list of some of my own favorite post-apocalyptic novels.

A note on taxonomy: the science fiction subgenres of the disaster and post-apocalyptic novels often blur. I’m not going to mention novels where the old order is essentially reasserted after some convulsion be it via plague, war, asteroid impact, or nanotech disaster.

For purely sentimental reasons, I’ll start with Christopher Anvil’s The Day the Machines Stopped. This one has electrical technology grinding to a halt after some accident in the Soviet Union. To be honest, I don’t even remember how it ended, so I don’t know if qualifies as a true post-apocalyptic novel or not. I read it decades ago, in grade school, during the 1970s. I just remembered the gun battles around grocery stores, and my young brain thinking, “Why, yes, that’s how it would be if there was no more electricity.” A lifelong fascination was born.

Jerry Pournelle and Larry Niven’s Lucifer’s Hammer is long and goes the whole spectrum from pre-disaster, through cometary impact, and the new world after. Some issues raised: Are accountants really useful after civilization ends? How do you store books in a hoard? If you’re a feudal lord who used to be a U.S. Senator, do you really owe anything to that one time campaign contributor?

One of the characters in Lucifer’s Hammer was a postman still making his rounds because communicating with other survivors is still useful after life as we know it ends. I suspect he inspired David Brin’s The Postman. Its titular character not only helps bind communities together, but he becomes the accidental and reluctant nucleus for a revival of civilization. Yes, the novel ends with silly super-survivalists, but I still liked it.

Perhaps not a truly post-apocalyptic novel but still good and a fascinating look at the possible effects of even a limited nuclear war was Whitley Strieber (yes, the Communion guy) and James Kunetka’s War Day. Using the John Dos Passos mosaic style, it’s a trip through an America that survived in a shaken and rattled state.

Something a little different but along the same line are the first two installments of Dean Ing’s Ted Quantrill trilogy: Systemic Shock and Single Combat. Set in a “streamlined America” after a limited nuclear war (specifically Ing used, as his starting point, the events of Sir John Hackett’s The Third World War there’s a recent look at it here), it has America under the thumb of a Mormon theocracy with its young hero, Quantrill, as a government assassin. To be honest, I don’t remember much of the plot. (Ing wrote a straight up survivalist novel called Pulling Through which featured an appendix on how to build an improvised fallout shelter in a hurry.)

John Christopher’s No Blade of Grass  aka The Death of Grass is a very good novel, another work that starts in the world before it falls apart, covers the unfraying of civilization due to the death of all grain crops, and covers the beginning of the new order.  There’s Pierre the gun store owner who is one of those memorable characters who comes into his own during the disaster. But he’s not the protagonist. The hero becomes the de facto leader of a group of survivors, and the novel ends memorably with a tragic incident that shows the loyalties and relationships of the old world now count for nothing.

For reason’s Jim covers ably in his reviews, George R. Stewart’s Earth Abides and John Wyndham’s The Day of the Triffids are rightly regarded as classics. (I take an extended look at the tter here.)

Wyndham’s Out of the Depths is also worth a read. It’s a combination post-apocalypse and alien invasion novel. Wyndam’s interest in the practical skills needed to maintain life and society probably owe something to his unusual education at England’s Bedales School, an education which emphasized gardening and crafts besides traditional academics.

 

 

Auxiliary Memory

Goslings by J. D. Beresford , is a 1913 post-apocalyptic novel about a plague that sweeps across the world and kills mainly men.  If you follow the link from the book title you can read a 23-part serialization from HiLobrow Books, which is illustrated with period photographs.  HiLobrow also has reprinted the novel as a paperback and ebook as part of their Radium Age Science Fiction Series .  I listened to the Dreamscape edition from Audible.com that was elegantly read by Matthew Brenher who did a bang-up job narrating the British dialect – just look at this reproduction of the English edition to see how hard it would be for a modern American to read.  The book was called A World of Women when first published in America.

goslings-500

Beresford was an admirer of H. G. Wells, and combined fiction with scientific philosophy in Goslings, that is part satire, part…

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