Tales of the Al-Azif; or, Adventures in Reviewer Parallax

Right now I’m reading David Hambling’s new novel, War of the God Queen, which gave me a good reason to read this book which I bought a few months ago when I was in the midst of reading William Hope Hodgson and various Scottish writers.

Reviewer parallax on this one is provided by The Sci-Fi and Fantasy Reviewer. I would have completely missed this title if he hadn’t mentioned it.

Review: Tales of the Al-Azif, eds. Matthew Davenport & C. T. Phipps, 2019.Tales of the Al Azif

Editors Davenport and Phipps have called up something impressively different here. They ensorcelled their contributors to give over their worlds and characters to serve a larger narrative, the story of something that is feebly and inadequately called a book.

If the language of their spells is a bit obscure at times or crafted to combine that which was separate and hide discontinuities, their vision and direction is to be applauded. They have created worlds from a throwaway title in a monograph from the Great God Lovecraft.

In six stories (one being broken into the opening and closing framing sections), we get the history of the Al-Azif, sometimes known as The Book of the Insect. Maybe the Mad Arab Abdul Al-Hazred used it as the source for the Necronomicon. And, maybe, he was torn apart by invisible demons in a day-lit market square. One thing is certain, though: Al-Azif is not just a static text. It shifts in meaning, is a power unto itself, a power often affiliated with those strange members of the Class Insecta we share Earth with. And the Al-Azif seduces with promises of wishes fulfilled. Continue reading