Another spin off of my weird western series.
Raw Feed (1997): It Came from The Drive-In, eds. Norman Partridge and Martin H. Greenberg, 1996.
“Introduction”, Norman Partridge — Introduction written around the conceit that the reader is entering a drive-in.
“Talkin’ Trailer Trash”, Edward Bryant — A rather pointless story seemingly about America’s changed race relations since the ‘50s with giant chiggers standing in for blacks. I suppose Roger Corman’s occasional use of such metaphors explains the dedication to him.
“10585”, Sean A. Moore — Enjoyable story – basically a modern updating of the movie The Blob crossed with zombie movies. I particularly liked the can-do veteran Ted Mack.
“Big Bust at Herbert Hoover High”, Jay R. Bonansinga — Enjoyable and absurd story of an adolescent fixated on female breasts and their lingerie accompaniments. Thanks to one of those convenient nuclear accidents at his father’s work, the lad finds himself fused and joined to his girlfriend’s left breast – a fate he comes to gratefully accept. I liked the image of the girl’s left breast supplanting the boy’s head a lá the movie The Fly. I also liked the voice of actor Russ Tamblyn epitomizing cool.
“’59 Frankenstein”, Norman Partridge — An amusing modern version of the Frankenstein in which the boy monster, tired of yet another condescending speech by the doctor after the boy asks for the car keys, throws his creator to the alligator in the basement. After striking out in his creation – a car cobbled together from other cars, the monster encounters the previous owner of one of his arms. The man graciously helps the monster after a car accident and then returns to imprison Dr. Frankenstein who has been mangled after the attacks of the monster and alligator and get another arm. Humorous and gruesome with genuine suspense and not just camp or absurd humor. Continue reading
MarzAat 