The Lovecraft series and now we’re getting into Lovecraftian authors rather than the Gentleman from Providence.
Raw Feed (2005): The Disciples of Cthulhu, ed. Edward P. Berglund, 1976.
“Editor’s Foreword”, Edward P. Berglund — Brief summation of the various waves of H. P. Lovecraft imitators.
“Introduction”, Robert Bloch — Bloch talks about how the reputation of his old mentor, H. P. Lovecraft, has been on the ascendant unlike the celebrated mainstream authors of 1929 the year Lovecraft’s “The Call of Cthulhu” was actually published. He talks briefly about the religion/cult of Lovecraft of which he is one of the oldest members.
“The Fairground Horror”, Brain Lumley — In his biography of Lovecraft, S. T. Joshi singled out Brian Lumley as symbolizing the worst of the Lovecraft imitators. I have a fond spot for Lumley though. After being introduced by a friend to Lumley’s first two Titus Crow books (the best ones of the series), I read all the Lovecraft fiction I could find thereby filling in the gaps from reading a lot of his short stories earlier but none of Lovecraft’s novels. However, this biter-bitten story simply seemed, with its Cthulhu idol in a carnival funhouse, a takeoff on the Hazel Heald — H. P. Lovecraft story “The Horror in the Museum“. Lumley also seems determined, as Joshi noted, to work in as many references as possible to names in Lovecraft’s work.
“The Silence of Erika Zann”, James Wade — Certainly not written in H. P. Lovecraft’s style and not using any elements of the Cthulhu Mythos, this story doesn’t really work. Basically, it’s about the daughter of Erich Zann, as in Lovecraft’s “The Music of Erich Zann“, encountering an extra-dimensional entity called to Earth by the strange properties of her psychedelic rock music (the story is set in a psychedelic club in San Francisco). The combination of too-explicit prose with, paradoxically, too vague of an explanation, doesn’t work. Continue reading