Geoffrey A. Landis

Future Boston

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And the Future Boston series concludes with a look at its core work.

Raw Feed (1995): Future Boston: The History of a City 1990-2100, ed. David Alexander Smith, 1994.Future Boston

“’Boston Will Sink Claims MIT Prof’”, David Alexander Smith — Fake Time article from 1923 predicting Boston, built on a filled in caldera, will sink.

“Seeing the Edge”, David Alexander Smith — Basically a mainstream story with a bit of foreshadowing about Boston sinking. The “edge” of the title refers to two things: the edge of the area sinking and the edge of impoverishment as protagonist Jerry runs out of money while caring for his absent landlady’s kid. (It’s hinted she was a prostitute that was murdered.) It’s not only an ode to a city that will die but the story of Jerry drawing closer to child Travis and accepting responsibility for him and entering a new life, crossing an “edge between what he had thought he wanted to be and what he was.”  Kind of a nice, touching mainstream story.

“Nomads”, Alexander Jablokov — A subtle mainstream story by Jablokov. I liked the crazy nomad character Rum, a self-proclaimed “nomad” and urban, homeless bum who looks on his lot not as privation but the price of freedom, a point worth considering. His apocalyptic ramblings of a coming urban and social collapse foreshadows Boston’s sinking and make him a sort of barbarian heralding, if not hastening, the collapse of civilization. I suppose the point is that protagonist Caius Fitzpatrick learns not to see permanency in life – be it in relationships or structures. Both are subject to complex failures. Continue reading →

Sherlock Holmes in Orbit

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I read the Sherlock Holmes stories in grade school, enjoyed them, and haven’t returned to them sense.

I haven’t felt the need to seek out the many sequels by other others or most of the tv or movie adaptations. (Though I am very fond of the Jeremy Brett series of about 30 years ago.) There’s even a well-regarded series by a local architecture critic and historian, Larry Millett, which bring Holmes to Minnesota.

Still, I have stumbled across a few fantastic additions to the Holmes universe.

Decades ago, I read Robert Lee Hall’s Exit Sherlock Holmes which reveals Holmes and Moriarty as clone brothers from the future. Geoffrey A. Landis’ “The Singular Habits of Wasps” is an excellent science fiction story though it uses the hero-villain pair-off so many authors do: Holmes vs. Jack the Ripper. I’ve read Peter Cannon’s insertion of Holmes into the Cthulhu Mythos, and you’ll eventually be getting a review of the anthology around that whole theme, Shadows Over Baker Street.

I read this anthology, though, solely for the William Barton collaboration — which did not disappoint.

A retro review from October 5, 2008.

Review: Sherlock Holmes in Orbit, eds. Mike Resnick and Martin H. Greenberg, 1995.Sherlock Holmes in Orbit

Resnick’s introduction talks a bit about the film and literary additions to Arthur Conan Doyle’s Holmes’ canon including some attempts to put the detective in a science fictional or fantasy context. While he says he required each story in this original anthology do that, even that requirement is not honored.

There are tales where Holmes is simply the exemplar of rationalism. Vonda N. McIntyre’s “The Adventure of the Field Theorems” mixes, not for the last time in this anthology, Holmes and Watson up with Arthur Conan Doyle. The most clever thing in this story is the title. The “field theorems” are crop circles which show up in the late 19th century and are, suggests Doyle, an attempt by the spirit world to communicate with us. Holmes as debunker of the supernatural shows up in Frank M. Robinson’s “The Phantom of the Barbary Coast”. It makes good use of a San Francisco location and the tragic circumstances of Irene Adler’s sister, Leona.

There isn’t even alleged paranormal activity in William Barton and Michael Capobianco’s “The Adventure of the Russian Grave”, but it is one of the best tales in the book and makes very good use of Professor Moriarty’s training in astronomy. Continue reading →

Year’s Best SF 3

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I’ve read and liked most of David Hartewell’s Year’s Best SF (which is no longer published) but reviewed few of them.

Here’s one.  A retro review from July 28, 2003 …

Review: Year’s Best SF, ed. David G. Hartwell, 1998.Year's Best SF 3

The one piece of dross comes from an unexpected source: William Gibson and his story “Thirteen Views of a Cardboard City“. It’s a minute, camera-eye examination of a cardboard structure in a Tokyo subway and obviously inspired by J.G. Ballard’s work. I detected no point to the series of descriptions, or, indeed, anything of a fantastical or science fictional nature.

Nancy Kress’ “Always True to Thee, in My Fashion” gives us a witty satire with a world where the seasonal variations of fashion cover not only clothes but also your pharmaceutically modulated attitudes.. The caged dinosaur of Gene Wolfe’s “Petting Zoo” represents not only the lost childhood of the story’s protagonist but a vitality lost from the race of man. Tom Cool gives us “Universal Emulators” with its future of economic hypercompetition that has created a black market for those who impersonate, in every way, the few employed professionals. In effect, the emulators grant them an extra set of hands. Its plot and characters would have done Roger Zelazny proud.

The voice of past science fiction writers echoes through many of the anthology’s best stories. Jack London’s The Sea Wolf provides the inspiration for Michael Swanwick’s “The Wisdom of Old Earth“. Its heroine realizes, despite whatever dangers she overcomes guiding posthumans through the Pennsylvania’s jungles, she will never bootstrap herself into being their equal. H.G. Wells looms over Robert Silverberg’s “Beauty in the Night“. Its child hero undertakes the first successful assassination of the brutal aliens that have occupied Earth, but his reasons have more to do with his oppressive father rather than the aliens’ behavior. John C. Wright’s “Guest Law” is a welcome return to the flashy decadence of Cordwainer Smith’s fiction. Its hero, a slave-engineer, watches in disgust as his aristocratic overlords corrupt the customary requirements of hospitality to justify piracy in deep space. Gregory Benford’s “The Voice” responds to Ray Bradbury’s Fahrenheit 451. Here the convenience of implanted intelligent agents, hooked up to a computer network, led to literacy fading, and not a repressive regime of firemen. Benford agrees with Bradbury about literacy’s value but also undercuts him on the supremacy of writing as a means of communication. Continue reading →