The posts on William Tenn continue while I work on new posts.

Science Fiction Ruminations gives the parallax on this.

Raw Feed (1998): Of All Possible Worlds, William Tenn, 1955.

“Introduction: On the Fiction in Science Fiction” is William Tenn’s defense of science fiction. First, he argues that, contrary to critics, sf is about people as individuals or representatives of a “collective community”.  Second, popular art, which sf is, is helpful in attaining aspirations of artistic immortality. He argues that “a scientific error or two” would not mar classic sf. He explicitly mentions Robert A. Heinlein’s Beyond This Horizon, Frederik Pohl’s and Cyril Kornbluth’s The Space Merchants, Ward Moore’s Bring the Jubilee, and Isaac Asimov’s Pebble in the Sky as classics.  Responding to the old charge of sf as escapism, Tenn notes that new literary genres, be they novels or Elizabethan plays are always denounced as dangerous by an intellectual elite invested in the old forms. Tenn doubts that people read any fiction to learn more about their “unfulfilled” lives or gain a moral perspective. He thinks that people read fiction for escape, believable escape. Responding to the old and still present charge that sf has produced no Shakespeare, Cervantes, or Fielding, Tenn notes that Elizabethan dramatists produced nothing equivalent to Aeschylus either though it was the standard they were aiming for.  Good popular art has a certain primitive vitality and vulgarity, Tenn argues, which causes it to endure longer than boring art polished to the point of perfection.

“Down Among the Dead Men” — This story, like Alfred Bester’s “Disappearing Act” published a year earlier in 1953, is a satire about the Cold War. Essentially both stories depict a society totally mobilized for war – and the qualities of those societies being destroyed in the act of defending them. I use to regard these stories as somewhat liberal whining about fighting the Cold War, but, in learning more about the total mobilization of America in WWII (which, of course, Tenn and Bester would have known first hand) and the encroachments of the government on liberty during that war and since, I appreciate these stories now. Here a decades long war with the alien Eoti has radically changed Earth’s society. Not only are millions dead and all of Earth mobilized, but, in a satirical point derived from the recycling drives of WWII, human soldiers, dead soldiers, are revived as ever increasingly sophisticated “soldier surrogates” or, in popular parlance, zombies. Sexual mores have changed drastically since Earth’s women need to pump out as many babies as possible. The narrator, his reproductive organs wounded – and the wound one of the few that are irreparable, is excluded from these couplings. I’m unsure whether to be glad, at the end, the protagonist as found a purpose and family (albeit a surrogate one) or horrified that familial and human sensibilities have been so distorted or wonder that humans are so adaptable.