Jonathan Strahan

The New Space Opera

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Posting this retro review will be one of the few productive things I did today.

From July 18, 2009 …

Review: The New Space Opera, eds. Gardner Dozois and Jonathan Strahan, 2007.New Space Opera

What is “space opera”? The introduction succinctly and accurately calls it romantic adventure science fiction told on a grand scale. It then traces the history of the sub-genre from its stirrings in the 1890s to its full-fledged birth in the 1920s to its nadir in the 1960s and 1970s, when the New Wave made it unfashionable, to its rebirth, while American authors were developing cyberpunk, at the hands of the British in the 1980s and 1990s.

For that grand scale, I’d specify vast scales of time and space and weaponry. The fate of species – their lives or at least their sanity and cultural viability – should be at stake and not some mere individual’s happiness or survival. Some of the stories in this collection are good but not space opera. Some are both. But there aren’t enough good stories of any type to give this collection a higher rating. [I gave it three stars at Amazon.]

The following stories fall in the unsuccessful and not even space opera category. The setup for Gwyneth Jones “Saving Timaat”, the narrator helping in the negotiations between representatives of two warring groups, the one cannibalistic predators on the other, is good, but the emotional connection of the narrator to the cannibal chief and her motivations are too oblique. James Patrick Kelly’s “Dividing the Sustain” is a would-be comedy of manners about a courier aboard a ship of communist colonists and the steps he takes to get close to the captain’s estranged wife, subject of an unaccountable infatuation, and to avoid getting “stale”, a consequence of longevity treatments. Not at all interesting.

Nancy Kress has put out some wonderful work, particularly when she engages in speculating about the consequences of biotech. However, her “Art of War” seems just a writerly exercise in developing the title phrase into a story and playing around with the cliché of stern military father (here a stern military mom) and a disappointing son. The story’s war between alien Teli and humans and the place each species’ art plays in the struggle just didn’t have the grand feel of space opera. Continue reading →

A Book of Horrors

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Just finished listening to the most recent episode of the Coode Street Podcast.

Much more interesting than their usual talk about awards. It featured a interview with Elizabeth Hand about her most recent book, Wylding Hall, the influence of Arthur Machen on her and many other writers, and her interest in depicting artists and the numinous in her work.

It’s just possible I’ll give her Cassandra Neary mysteries a try since it sounds like the series will start to involve matters of the arcane, occult, and ancient sort as it progresses.

My exposure to Hand is pretty perfunctory. I found her “Chip Crockett’s Christmas Carol” pleasant enough, but, not having any childhood memories of a beloved children’s tv show, there was nothing in my background for it to resonate with.

I was unaware, until I looked at her Internet Speculative Fiction database entry, how much critical work she had done since I’m not a regular reader of the Washington Post or The Magazine of Fantasy & Science Fiction.

The only other fiction I’ve read by her is “Near Zemnor” … and that’s why you get a retro review, from September 18, 2012, of the book it appeared in.

Review: A Book of Horrors, ed. Stephen Jones, 2012.

Book of HorrorsYou can ignore the short introduction which claims this anthology is out to reclaim the label “horror” for scary stories. Not all the stories here are scary. Some aren’t even dark fantasy. And some left me somewhat unsatisfied.

But they all kept me interested. Continue reading →