“Against the Abyss”

Review: “Against the Abyss: Carnacki the Ghost-Finder”, Mark Valentine, 2014 1987.

Voices from the Borderland
Cover by Daniele Serra

Valentine says Hodgson took up writing Carnacki stories when the publication of his first three novels won acclaim but didn’t get him much money. He decided a series character, a detective interested in occult mysteries like Algernon Blackwood’s John Silence who first appeared in 1908 (Carnacki first appeared in 1910). You’ll note this contradicts  claims by Joseph Hinton in Sargasso #2 and Sargasso #3 about when Hodgson wrote the Carnacki stories. Such are the unknowns of Hodgson scholarship. 

Hodgson not only tapped into the rituals and plots of the detective story but the semi-rationalized wonders of Spiritualism. Valentine thinks the Carnacki stories should be treated with more respect by Hodgson fans though, from what I’ve seen, they seem to have plenty of fans among Hodgson readers. They hint at some of the same dark cosmic forces that The Night Land does.

He also argues that there is more of Hodgson in Carnacki than any of his other characters. In this regard, he does not mention the shared interest in photography, but that Carnacki may regard the forces (natural or supernatural) menacing the people who contact him as sort of bullying entities, the same sort of bullies Hodgson confronted at sea and that gave rise to his interest in bodybuilding. Continue reading

Sargasso #3

This is the newest and, with the death of Gafford, last issue of this magazine. While thinner than its predecessors, it’s still a worthwhile mix of fiction, criticism, poetry and illustrations.

Review: Sargasso: The Journal of William Hope Hodgson Studies #3, ed. Sam Gafford, 2016.

Sargasso 3
Cover by Ronald H. Knox

Josh Reynolds “Corpse-Light” is dedicated to “H. P. Lovecraft and W. H. Hodgson and all the shunned houses and derelicts quietly rotting.” It’s an entertaining story, and part of Reynolds series detailing the adventures of Randolph Carter and Harley Warren before the latter meets his end in Lovecraft’s “The Statement of Randolph Carter”. There is indeed a “shunned house” here. It’s on Wacalaw Island off the Carolina coast, deserted because of the Spanish Flu, and about to be turned into a golf course. Warren, reckless adventurer that he is, is looking for evidence of a particular fungus normally found in the pyramids of Egypt. It’s kind of a combination of Hodgson’s “The Derelict” and Lovecraft’s “The Shunned House”.

What’s a journal on Hodgsonian without a Carnacki tale? And James Gracey gives us one with “A Hideous Communion”. Moderately interesting, it has the occult detective going to Ireland and investigate sightings of his friend’s dead wife. The solution to the mystery is a novel one.

Since it combines Hodgson and geology, I, of course, was delighted with Joseph Hinton’s “The House on the Burren: The Physical and Psychological Foundations of The House on the Borderland”. It looks at Hodgson’s time in Ardrahan, Ireland where he lived from age nine to twelve. Ardrahan is 20 miles away from the Burren, an area of karst topography in Ireland which, with its sinkholes and caves, may have influenced the setting of Hodgson’s novel. R. Alain Everts’ biography of Hodgson, Some Facts in the Case of William Hope Hodgson, Master of Phantasy, claims that the local Catholics, who Samuel Hodgson was sent to convert, were hostile to him. Supposedly, there were threats to kidnap his children (though William Hope Hodgson spent a lot of that time in England at boarding school). Accounts from the 19th century quoted by Hinton paint the locals as few and poor and enslaved to the papacy. Some interpretations of The House on the Borderland have seen the swine-creatures as metaphors for the fear of the Irish peasant. Continue reading

Sargasso #2

Review: Sargasso: The Journal of William Hope Hodgson Studies #2, ed. Sam Gafford, 2014.

untitled
Cover by Robert H. Knox

The first issue of this journal had lots of material. This one is thinner – whether from a lack of contributors or due to production costs, I don’t know.

Andy Robertson R.I.P. (1955-2014)” remembers the man who sparked a mini-Hodgson revival with his creation of The Night Land website devoted to Hodgson’s eponymous novel, and Robertson also published and wrote stories set in the world of that work.

Under the Skin: A Profile of William Hope Hodgson” by Jane Frank offers a brief look at Hodgson’s personality. By the age of five, three of Hodgson’s brothers had died. Hodgson’s unusual middle name – usually a female name – may have had theological implications for his clerical father and his wife. (They wanted a daughter.) Frank sees Hodgson as, from an early age, energetic, imaginative, and always wanting more. Part of the behavior that some saw as egotistical and self-centered (Frank quotes from editors who met him and letters Hodgson wrote) may have been the result of his desire for attention.

She sees Hodgson’s personality as shaped by the two ages he lived in: the “repressive” Victorian world of his youth where mores were important and the energetic Edwardian age of fortune-seeking and technology. Hence we see Hodgson as an early adopter of the typewriter and photography and his entrepreneurial streak and attempts to support himself after leaving the Mercantile Navy. Hodgson was in boarding school by age eight, and his family had moved five times by the time he was 13. He was a temperamental lad and, around his father, unruly and disobedient. Continue reading