I’ve never entertained the idea of reviewing all the works of Robert Silverberg. That would be a colossal undertaking given his volume of work even in science fiction.
But I do seem to have reviewed a lot of Silverberg’s short fiction.
And I read some more this past summer with more in the pipeline to review.
Low Res Scan: The Collected Stories of Robert Silverberg, Volume Five: We Are for the Dark, 1987-1990, ed. Robert Silverberg, 2012.
It’s a low res scan because I’ve looked at many of the ten works here before and don’t have much to add on re-reading.
Three of the pieces are novellas.
This time around “In Another Country”, Silverberg’s variation on the themes of C. L. Moore’s “Vintage Season”, reminded me just how many stories of his play with the motif of rich time traveling tourists (and, here, definitely white) from the far future visiting the past: “Sailing to Byzantium”, Up the Line, “The Far Side of the Bell-Shaped Curve”, and “When We Went to See the End of the World”. Granted, “Sailing to Byzantium” has super sophisticated reconstructions of the past, but it feels like time travel. “When We Went to See the End of the World” inverts the theme with near future time travelers.
Silverberg’s introductory notes for the story reveal his admiration of Moore. As to the story itself, this time I noticed Thimiroi, alone of the time travelers, finding beauty in the flat, discordant, unplanned beauty of the unnamed city of the late 20th century. To him, it’s the energy of a people who have survived the brutal horrors of that time. Continue reading