By the Light of Camelot

The review copy for this one was requested mostly because it had a William Meikle story, but I suppose I had a subconscious desire to return to a bit of Arthuriana after not reading any for more than 30 years apart from Alfred, Lord Tennyson’s Idylls of the King.

I’ve watched the movie Excalibur countless times, but I’m not any kind of Arthurian buff. Not so coincidentally, I have been listening to Professor Dorsey Armstrong’s King Arthur: History and Legend lectures from The Teaching Company which actually was a bit helpful in understanding a couple of names I came across in this book. In my English major days, I did read a fair number of the medieval Arthur texts – but there’s a whole lot I didn’t read too.

Review: By the Light of Camelot, eds. J. R. Campbell and Shannon Allen, 2018.By the Light of Camelot

The stories here roughly divide into two categories. There are the stories where the Knights of the Round Table and Arthur’s reign and the Quest for the Holy Grail are honorable institutions and men engaged in worthwhile pursuits. And there’s the stories where they aren’t, literary acid corroding the legend of Camelot.

Generally, when it comes to Arthur stories, I want the former though I enjoyed the last bit of Arthuriana I read, Roger Zelazny’s “The Last Defender of Camelot” which portrays Merlin as a dangerous fanatic. (And, after hearing Prof. Armstrong’s summary of the alliterative Morte Arthure, which sounds like a real downer, I’m interested in that too.) [Actually, in thinking about it, the last bit of Arthuriana I read was Charles Harness’ Cybele, with Bluebonnets.]

Let’s start with the fictional gripes about the Camelot’s legend.

Simon Kurt Unsworth’s “The Terrible Knitter” is well-told, a grim tale of Dysig, a Round Table knight, still alive and in the wreckage of England after the Norman Conquest. Tracking down yet another rumor of the Grail, he comes to Dent, a village that’s a “thin” place between worlds, plagued by vampiric locals. Like a lot of these tales, the sting is in the end. Continue reading

Lovecraft Unbound

I’m off polishing up work for other outlets, so you get this retro review from April 26, 2010.

Out of curiosity I added up how many anthologies Ellen Datlow has done since her career started in 1981. It’s eighty-nine by my rough count. A fair number are famous titles — at least as far as anthology titles go.

Review: Lovecraft Unbound, ed. Ellen Datlow, 2009.Lovecraft Unbound

Unlike Datlow’s earlier tribute anthology, Poe: 19 New Tales Inspired by Edgar Allan Poe, where many of the stories, removed from authors’ notes and the context of the book, didn’t seem to have much to do with Edgar Poe, almost all these stories have an obvious Lovecraft connection. It usually isn’t a listing of the blasphemous tomes and extraterrestrial entities created by the master. Datlow wisely avoided that, for the most part, along with Lovecraft pastiches.

It isn’t an entirely new anthology. Four of the stories are reprints. But virtually all the stories are enjoyable and work as either modern examples of cosmic horror, horrific nihilism, or interesting takeoffs on Lovecraftian themes and premises.

The one exception is one of those reprints and, surprisingly, from the biggest name here. Possessing no discernable Lovecraftian theme, image, or plot element, Joyce Carol Oates “Commencement” also fails even in its internal logic. The plot concerns the allegorical cast of the Poet, the Educator, the Scientist, and the Dean and a fate they really should have seen coming at a future graduation ceremony. Continue reading