Black Wings of Cthulhu 4

After about a year, I decided to finally finish reading S. T. Joshi’s Black Wings of Cthulhu anthology series. Partly, that’s to read some David Hambling tales in later volumes, and partly to finally finish at least one of my reading projects.

Review: Black Wings of Cthulhu 4, S. T. Joshi, 2015, 2016.

Cover by Gregory Nemec

In his “Introduction” to the book, Joshi notes how several stories here rely on a sense of place. He also mentions the anthology’s one poem, Charles Lovecraft’s “Fear Lurks Atop Tempest Mount”, a retelling of H. P. Lovecraft’s “The Lurking Fear”.

In Lovecraft, of course, terrors often come from the past, an idea he inherited from the gothic. Indeed, merely calling something “ancient” in Lovecraft is often used to evoke horror. For me, some of the most memorable tales here are archaeologically themed, an element in Lovecraft’s own The Shadow Out of Time.

Ann K. Schwader’s “Night of the Piper” is my first exposure to her Cassie Barret series. She’s a former anthropology student who now works on a Wyoming ranch, packs a revolver, and has two Rottweiler dogs for companions. Ranch foreman Frank, perhaps because his grandfather was a Crow “man of power”, appreciates the thinness between dreams and reality. Shortly after a flyer shows up in the mail advertising “THE PIPER WITH A PURPOSE”, a local branch of a non-profit advertising and its “Authentic Ancient Designs for a Stronger Community”, they both begin having strange dreams involving coyotes. And the Kokopelli on the flyer seems reminiscent of a sinister version Cassie has seen before. Soon, reluctantly, she gets out the journal of a vanished archaeologist who thinks that particular Kokopelli derives from a far more ancient culture.

Schwader cleverly splices the Cthulhu Mythos into the prehistory of the American Southwest. But, for me, the descriptions of Wyoming and rural poverty evoked things I’ve seen myself, and that made the story richer. Justly renowned as a poet, Schwader proves she’s also a talented fiction writer.

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Miskatonic University

The Lovecraft series continues with some modern takeoffs on his fiction.

Raw Feed (2005): Miskatonic University, eds. Martin H. Greenberg and Robert Weinberg, 1996.Miskatonic University

A Letter from the President to Incoming Students“, Stefan Dziemianowicz — An attempt, in keeping with the theme of the anthology, to introduce newbies to the Arkham/Miskatonic references in H. P. Lovecraft’s works.

Kali Yuga Comes”, Tina L. Jens — For me, this story was not only marred by the gratuitous swipes at James Watt and the Reagan administration by the narrator but also her usually unfunny wisecracks. The mixing of Kali (complete with rather incongruous interludes of third-person narrative in the Kali-killing sections) with Lovecraft didn’t work very well. The use of conventional mythologies in his work was something Lovecraft usually tried to avoid. It weakened his “The Horror at Red Hook” and only the inclusion of alternate dimensions and higher mathematics caused it to work in his “The Dreams in the Witch-House”).

Teachers”, Mort Castle — This story is not a tribute to Lovecraft but a bittersweet tribute to Castle’s friend, Robert Bloch — not only a one time protégé and correspondent of H. P. Lovecraft’s but a comic writer on occasion. Upon his death, Bloch, here Robert Blake (the name he is known by in Lovecraft’s “The Haunter of the Dark”) has earned immortality and gets to join the faculty, including Edgar Allan Poe and Lovecraft (the other authors I didn’t recognize), in teaching man at Miskatonic University. Oddly, enough this is the second story (out of two) in the anthology which makes a contemporary political reference — here a reference to Bill Clinton lying about sex. Continue reading