This is the newest and, with the death of Gafford, last issue of this magazine. While thinner than its predecessors, it’s still a worthwhile mix of fiction, criticism, poetry and illustrations.
Review: Sargasso: The Journal of William Hope Hodgson Studies #3, ed. Sam Gafford, 2016.
Josh Reynolds “Corpse-Light” is dedicated to “H. P. Lovecraft and W. H. Hodgson and all the shunned houses and derelicts quietly rotting.” It’s an entertaining story, and part of Reynolds series detailing the adventures of Randolph Carter and Harley Warren before the latter meets his end in Lovecraft’s “The Statement of Randolph Carter”. There is indeed a “shunned house” here. It’s on Wacalaw Island off the Carolina coast, deserted because of the Spanish Flu, and about to be turned into a golf course. Warren, reckless adventurer that he is, is looking for evidence of a particular fungus normally found in the pyramids of Egypt. It’s kind of a combination of Hodgson’s “The Derelict” and Lovecraft’s “The Shunned House”.
What’s a journal on Hodgsonian without a Carnacki tale? And James Gracey gives us one with “A Hideous Communion”. Moderately interesting, it has the occult detective going to Ireland and investigate sightings of his friend’s dead wife. The solution to the mystery is a novel one.
Since it combines Hodgson and geology, I, of course, was delighted with Joseph Hinton’s “The House on the Burren: The Physical and Psychological Foundations of The House on the Borderland”. It looks at Hodgson’s time in Ardrahan, Ireland where he lived from age nine to twelve. Ardrahan is 20 miles away from the Burren, an area of karst topography in Ireland which, with its sinkholes and caves, may have influenced the setting of Hodgson’s novel. R. Alain Everts’ biography of Hodgson, Some Facts in the Case of William Hope Hodgson, Master of Phantasy, claims that the local Catholics, who Samuel Hodgson was sent to convert, were hostile to him. Supposedly, there were threats to kidnap his children (though William Hope Hodgson spent a lot of that time in England at boarding school). Accounts from the 19th century quoted by Hinton paint the locals as few and poor and enslaved to the papacy. Some interpretations of The House on the Borderland have seen the swine-creatures as metaphors for the fear of the Irish peasant. Continue reading