I told you I wasn’t done with William Hope Hodgson.
With this post, I think I can claim to have blogged more about William Hope Hodgson than anybody else in the English-speaking world. Whether any of it was useful you will have to judge. But, as Joe the Georgian said, “Quantity has a quality all its own”.
Since I spent about $50 for this book, something I rarely do unless it’s a reference work, I guess I can now be considered a hardcore Hodgson fan. Considering that was the list price for this book when it was published by Tartarus Press and I got it new, I got a good deal – and there must not be that many hardcore Hodgson fans.
So, what did I get for my money?
131 of the book’s 365 pages is Hodgson fiction, specifically for a collection entitled Coasts of Adventure which was never published in his lifetime. In 2005, that might have been significant (frankly, I didn’t do my blogger diligence and check how many were anthologized before showing up here). But, now, you can get every one of these stories in Night Shade Books’s five volume The Collected Fiction of William Hope Hodgson.
Before America colonized science fiction with its conquistador John Carter in 1912 and made it into a genre concerned with space and adventure, it was something different. It was, argues Stableford, a stream of literature interested in “the adoption of the scientific outlook and the attempt to employ the scientific imagination as a springboard for speculative fiction”.
Just as the Vikings colonized the New World before Columbus’s voyage, Francis Bacon and Savinien Cyrano de Bergerac discovered new frontiers for literature when they wrote scientific romances. And, just as the Viking colonization inspired no immediate imitators, no writers imitated Bacon and de Bergerac for a while. Bacon’s New Atlantis was unfinished and published posthumously in 1627. De Bergerac’s L’Autre Monde ou les Etats et Empires de la lune [The Other World] wasn’t published until the 1920s.
It wasn’t until the 19th century that authors in France, America, and England began producing work that was noticeably something different and that stuck in the public mind. These were stories about the drama to be made out of new scientific discoveries, new technologies, and the peculiar psychologies of inventors and scientists. Continue reading →